My writing partner, Steven, says he sees music in colors. That's part of how he writes-- he'll want something golden or green or purple. I suppose you could say I have the same mental fixation with color. I get really uncomfortable around unpainted walls. I'll obsess for a long time on someone wearing the wrong shade of lipstick or what color my hair should be for my overall coloring. And, as I have pretty much always projected myself into imaginary versions of my future, the images I choose to represent that dream future are often about color.
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Mustard or maizey yellow is one of those colors that sounds awful in theory, but is actually wonderful & warm on the right coloring. And when I see myself lost in books, staring out my window seat, or sitting in my office in the poetry house of St. Andrews, that's what I'm wearing. And everything around me is soft and soft-focused, except the ideas.
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I don't have a whole lot to say about Dylan Thomas. I like that his poetry has a musicality. I like that he was friends with a Scottish poet I quite admire, Ruthven Todd. I like that he said, "an alcoholic is someone that you don't like very much, who drinks as much as you do." And I like that in the film, he says "first love's all right as far as that goes--last love, that's what I'm interested in..."
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