Since I've been away awhile, I feel it's only right to come at you with a whole truck load of musical tid bits. It's been a weird time, dear lovely readers. I encountered many opportunities (or what seemed like opportunities) that ended up being loaded with unprofessional folks, a few broken promises, and a failed television network. But hey, I ate, I paid my bills, and added a few new clients to my roster. Life goes on. And they keep putting out records. Thank god. - First of all, while the CHVRCHES album, The Bones of What You Believe (for the record, I don't like the title) isn't out until later this month, we can finally preview it thanks to the always good people at NPR. I heard most of this at their show at the Fonda. I like it as much as I remember. - While we're at it, here's the Blood Diamonds remix of "The Mother We Share."
- Vegas homeboys The Killers pair up with M83 producing for "Shot at the Night"-- a combo full of promise with lackluster results. - Kings of Leon covering Robyn for the BBC was a nice highlight of last week. - Speaking of which, stream their new album Mechanical Bull right now. - New Lorde. "Team." It's legit. - New(ish) Frighted Rabbit track, "Candlelit." - These isolated Beatles vocals are killer. I keep listening to them. Just over and over.
I'm one episode into the two part series set on the Shetland islands and based on a series of Ann Cleeves novels. Shetlandis not getting great reviews, but man is the scenery pretty! And man do I miss the sound of those voices. I like a good murder mystery though. Even if this one is a bit on the nose.
Hi. I'm back. Happy Presidents' Day. I'll be more fully back later this week, but in the meantime, in the spirit of today, I wanted to post my favorite quote from Abraham Lincoln. It was always my favorite, but it took on a whole extra layer of emotion and meaning when it was uttered by Ben Whishaw, as Freddie Lyon, one of my all-time favorite television characters, in the Season 2 (and now what appears to be the series as a whole) finale of what might be my favorite television show of all time, The Hour. That episode stays with me still. If you haven't seen The Hour, please find a way to do so. And Lincoln, good on ya. Quite the premonition there, Uncle Abe.
“I see in the near future a crisis approaching that unnerves me and causes me to tremble for the safety of my country. . . . corporations have been enthroned and an era of corruption in high places will follow, and the money power of the country will endeavor to prolong its reign by working upon the prejudices of the people until all wealth is aggregated in a few hands and the Republic is destroyed.”—U.S. President Abraham Lincoln, Nov. 21, 1864 (letter to Col. William F. Elkins)
This is the scene that immediately follows the Lincoln quote and ends the series. DON'T watch it until you've seen the whole thing. But please please watch this show.
CHVRCHEShas pretty much everything I need in to order to commit to a band: chick singer with dude backups, some electronic goings on, list Prince & Depeche Mode as one of their primary influences, possess UK passports, and most importantly: Scottish residency. I was fortunate enough to see Glasgow natives, CHVRCHES, by accident (they had only JUST formed) while I was living in Scotland and have loved them ever since--- even though they haven't had much music for purchasing via the internet. I am happily awaiting their EP next month in the US. In the meantime, I've used my still-active UK itunes to download a few things. Lead singer Lauren Mayberry kind of reminds me of Hayley Williams-- in a good way. She's also a lawyer...and a journalist-- so watch the fuck out. Iain Cook & Martin Doherty, on the other hand, are sort of a Scottish indie rock mainstays-- having previously founded Aereogramme & The Unwinding Hours and The Twilight Sad, respectively. CHVRCHES spent most of 2012 on tour with Passion Pit. Personally, I'd like to see them go out with Polica. That's a concert I'd jump to see. Even without Polica, I'm still planning on seeing them here in LA at the Echoplex on March 12th. See you there?? They're also the first band I've seen to have the good sense to take promo photos in front of the Scottish National Galleries neon installations by Nathan Coley. For more, check out here and here. And a Prince cover!
Here's what I'll be watching tomorrow. Stephen Poliakoff, the noted control freak behind Glorious 39 and The Lost Prince, has a new drama coming to BBC 2 called Dancing on the Edge. It appears to have it all! 1930's fashions, enterprising aristos, racial, religious, and class tensions, sex, dancing, jazz (original music numbers!!) and John Goodman! I can't wait! Hope you're having a fab weekend so far!
Heavens, I miss this beautiful city! From the initial success of professor Walid Salhab's first Kinetic Edinburgh video, featured on BBC, to his latest effort-- a new time-lapse video of Edinburgh in winter-- Salhab shows why Edinburgh is hands down one of the most beautiful cities in the world. He calls the newest video a "Christmas present to Edinburgh's residents and those around the world that love Scotland's capital." I'm not sure about his music choices, but oh, those views! And under the snow! For more click here and here. Photo is by my friend, George Ferns.
Pretty much all of my adult life, I've been looking to make my life circumstances align with my deeply-held idea about myself as an avid NPR listener. Only one other-- brief, beautiful-- time was I able to make it a real fabric of my day. That was when I was working my worst job to date: as studio assistant to a world-famous lighting designer in New York. For the months I had this part time gig (before she flipped out and called me incompetent for not reading her mind) I came to associate the morning pleasant lull of WNYC with the lighting designer being in a good mood. When she was travelling, I'd flip it on just for my own pleasure while I watered her ficus plants and cacti. Before that, in my childhood, I associated it with night driving and my father and laughing to Prairie Home Companion. Now, I equate it with the mental state I'm after. But Los Angeles. Oh, Los Angeles and my sunny Hollywood spot. My home now was made for NPR. Just today, my best friend Emily said, "Don't you love the NPR in LA? KCRW?" And I do! It's one of the few realities that live up to my fantasies of it. In my mind, I'd flip on an old radio to KCRW on misty Los Angeles mornings while I make coffee. I sit at my little kitchen table in my robe, taking my sweet time, and I laugh and am enlightened on all foreign policy and art issues I care about, but feel sometimes overwhelmed by, and I learn about all kinds of new things to hold my interest. The only difference between my fantasy and the reality is that I listen on my NPR iphone app. Sometimes I pick and choose stories and sometimes I flip to WNYC when I miss New York. But I am utterly happy when I do this. One of my favorites is The Moth. True Stories told live by artists and interesting people ranging from relative obscurity to relative and/or fading fame. Storytelling. Mmm. "Storytelling for everyday raconteurs." You go, Peabody judges. It's like a dream come true. They're all very real and basic and often simple and always poignant while revealing some mono no aware thing about living. Recently, I laughed in every room of my house while writer Walter Mosley told a wonderful and very real story about identifying language and its meaning. It is a delight. I cannot recommend enough. Also check out my old friend Suzanne Vega on Stage Fright. Sometimes, I lament that we have no BBC. But then I remember NPR and I am soothed again.
